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Roy De Maistre
Roy de Maistre CBE (27 March 18941 March 1968) was an Australian artist of international fame. He is renowned in Australian art for his early experimentation with "colour-music", and is recognised as the first Australian artist to use pure abstraction. His later works were painted in a figurative style generally influenced by Cubism. His 'Stations of the Cross' series hangs in Westminster Cathedral and works of his are hung in the Tate Gallery, London and in the Art Gallery of New South Wales.
==Early life==
Roy went by the name of Leroy Leveson Laurent Joseph De Maistre, but had been born as Leroy Livingstone de Mestre at Bowral, New South Wales on 27 March 1894 into a home of high social standing in the then Colony of New South Wales. He was the youngest son of Etienne Livingstone de Mestre (1832–1916), the thoroughbred racehorse trainer of the first two Melbourne Cup winners; and the grandson of Prosper de Mestre (1789–1844) a prominent Sydney businessman from 1818 to 1844.
De Maistre was educated, together with his brothers and sisters, by tutors and governesses at the family home near Sutton Forest. In 1913 Roy was sent to Sydney to continue his music and art studies. He studied the violin and viola at the New South Wales State Conservatorium of Music, including playing the viola in the Sydney Orchestra. He studied painting at the Royal Art Society of New South Wales under Antonio Dattilo-Rubbo who encouraged interest in Post-Impressionism, alongside fellow students Norah Simpson, Grace Cossington Smith and Roland Wakelin. Then he studied under Norman Carter and also at Julian Ashton's Sydney Art School.
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